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#31 |
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Join Date: Dec 2008
Posts: 588
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Thanks kwak, will have a look and a haggle
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#32 |
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Join Date: Aug 2003
Location: Croydonia
Posts: 5,376
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Kwak,
If you're looking for a new lens it really does help if you answer MattCo's question about what you're hoping to use this for. I'd never use something as long as a 70-300 as a walkabout / general purpose lens, but somewhere like Brands Hatch it could be very handy. MattCo, I've used some glass that's well outside my price bracket before and to be sure it's quality kit. If I could I'd happily go out and blow £6k on lenses and flash gear tomorrow, but the fact of the matter is that for most people the added bulk, weight, and most importantly, cost, just isn't entirely justifiable. I have a good friend who recently sprung for a Canon 24-105 f4L IS, and 70-200 f2.8L IS to replace his existing glass. He couldn't be happier with the quality, and is adamant he's happy he bought them. I hope to follow him at some point but my budget allowed me to buy the 17-85 f4-5.6 IS that he was getting rid of. This was better than I was using at the time. If this were a "what bike gear should I buy" thread it's easy to reel off the £1700 worth of bike gear I wear, but I've been doing this for 10 years, and built my kit up from nothing. I couldn't have afforded what I wear all at once, and not when I started. Same with camera kit. If you buy top-brand fast glass you won't be disappointed with the quality, but you might find that in reality you just don't use those focal lengths as often as you thought you would. For the casual photographer spending £1000 on their first lens is probably more than they're going to be prepared to do. When I started working on bikes I couldn't afford snap-on tools but I can't possibly argue that the quality of them was higher than what I could afford. FWIW at the moment I'm mostly spending my money on speedlites ![]() Jambo
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Modern motorcycles are bloody brilliant, enjoy it while we can ![]() |
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#33 |
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Mixed uses really, i do alot of BSB and amateur bike meets and would like to take good clear pic's of the bikes, the NEC next month it needs to be used there too, i also like to take very close up photos with the macro function, so abit of everything really.
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#34 |
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Location: Somerset
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Agreed I'd never use mine for that its just not practical to carry it about all the time.
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Look Dave, I can see you're really upset about this. I honestly think you ought to sit down calmly, take a stress pill, and think things over. K5 GSXR 750 Anniversary Edition |
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#35 | |
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#36 | |
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Location: Croydonia
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It's been about a year since I've shot at anything over around 85mm focal length, my first expensive bit of glass (it's all relative) was the 10-20mm Sigma. I love that wide angle glass, and it's not perfect, but its plenty good enough for me. My 50mm f1.8 portrait lens has slow AF, and isn't terribly sharp wide open (it gets much better from f2.8 ) but it allows me to take photos inside at usable shutter speeds without flash. I love that about it. My 80-200mm is f4-5.6 without IS. It's not pin-sharp and in lower light you just can't use it. But all of the above glass was mine for a TOTAL of less than £400. And I love my photography. Now on the shopping list is the (much nicer) 50mm f1.4 and a load of speedlites. I've discovered that I have little interest in long focal length photography, and prefer the drama of wide-angle, and nice portraiture. So I for one, am happy with my choices. None of my starting glass was brilliant, but it's been upgraded when I've had money and only where I know I'll benefit from it. But Kwak, if you know you're going to do lots of sports photography, and you're going to spend a lot of time with a long lens on the camera and want really pin-sharp results, do consider MattCo's advice. If this is something you're passionate about sooner or later you'll end up spending the money on the good glass. Consider something like Sigma's 70-200 f2.8 EX as a possible halfway house, it's not got IS/VR, but your camera has that built in the body. And it's not astronomically expensive. It can be extended with a 1.4x converter to make it reach further with a reasonable drop off in quality and transmitted light. At £644 from Warehouse express, it's not exactly cheap though. Jambo
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Modern motorcycles are bloody brilliant, enjoy it while we can ![]() Last edited by jambo; 23-11-09 at 11:55 PM. |
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#37 | |
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The kit that I described is surprisingly light and compact. It all fits in a bum bag. Perhaps I shouldn't have used that example because some people seem to have a hard time getting past the bottom line. I won't bother any further. |
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#38 |
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I'm toying with the idea of buying a 70-300 but funds and the amount of use I'll get from it might prevent its purchase. I tend to find the 17-85mm is a good walk around on a crop body (40d) but if anything, I'd like something a bit wider and a 50mm prime.
Jambo, I too will be the proud owner of a Speedite 430ExII shortly, was going to go for the 580 but then thought it wasnt necessary. Looking to use it with the 50mm prime to achieve some good indoor portraits. |
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#39 | |
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#40 | |
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These lenses while having a macro function are not macro lenses in the sense of a purpose built lens. They'll get you close, like good detail in small bits on bikes, but not really close, like count the hairs on a flies head. |
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